FROM THE MENHIR TO THE PATH explores ephemeral landscapes through the relationship between negative spaces and material abstractions, where air and breath become protagonists in the creative process. Ceramic spheres are shaped under the guidance of exhalation cycles; tearing the surfaces of the spheres during the respiratory flow and abstracting their material results in unique and unpredictable textures.
The textured spheres dragged across sandy surfaces create patterns and ephemeral landscapes—temporary imprints that capture transience, vanishing with the wind. The work proposes a poetic investigation of fleeting landscapes, where air, breath, and solid ceramic matter open spaces for respite, creating momentary cartographies that evoke the impermanence of time and space.
The menhir, as a point of origin, represents the static axis, while the paths traced by the ceramic spheres in the sand symbolize the dynamic flow of continuous creation, erasure, and renewal.